Here are a few examples of the pictures that were shown.
In his book "Music: An Appreciation," Robert Kamien explains that Corbusier seemed to have assigned thematic sections to the film:
Below is his analysis of the thematic sections to their corresponding sounds.
| 0 - 60" | Genesis |
| 61 - 120" | Spirit and Matter |
| 121 - 204" | From Darkness to Dawn |
| 205 - 240" | Man-Made Gods |
| 241 - 300" | How Time Moulds Civilization |
| 301 - 360" | Harmony |
| 361 - 480" | To All Mankind |
| 0" | 1. | a. | Low bell tolls. "Wood blocks." Sirens. Fast taps lead to high, piercing sounds. 2-second pause. |
| 43" | b. | "Bongo" tones and higher grating noises. Sirens. Short "squawks." Three-tone group stated three times. | |
| 1'11" | c. | Low sustained tones with grating noises. Sirens. Short "squawks." Three-tone group. 2-second pause. | |
| 1'40" | d. | Short "squawks." High "chirps." Variety of "shots," "honks," "machine noises." Sirens. Taps lead to | |
| 2'36" | 2. | a. | Low bell tolls. Sustained electronic tones. Repeated "bongo" tones. High and sustained electronic tones. Low tone, crescendo. Rhythmic noises lead to |
| 3'41" | b. | Voice, "Oh-gah." 4-second pause. Voice continues softly. | |
| 4'17" | c. | Suddenly loud. Rhythmic percussive sounds joined by voice. Low "animal noises," scraping, shuffling, hollow vocal sounds. Decrescendo into 7-second pause. | |
| 5'47" | d. | Sustained electronic tones, crescendo and decrecendo. Rhythmic percussive sounds. Higher sustained electronic tones, crescendo. "Airplane rumble," "chimes," jangling. | |
| 6'47" | e. | Female voice. Male chorus. Electronic noises, organ. High taps. Swooping organ sound. Three-note group stated twice. Rumble, sirens, crescendo (8 minutes and 5 seconds)." |
The film-sound medley was not just a film being played with sound, and therefore is not film WITH sound but film AND sound. Or rather, pictures, themes, and sounds. The pictures were a separate entity from the sound that was played, but when the two joined came together to make a theme.




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